IMPORTANT NOTICE
The maps on this document are just made
to show the approximate collocation of the ancient
monuments in relation with the modern city.
Due to an editorial consideration, this maps are designed
with an intentional approximation and with no
reproduction to scale.

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2 THE THERMAE ERCULEE

frammenti delle terme erculee

3 THE SAN LORENZO COMPLEX

 

The pics show the romans colums, taken away from some other monument more antique, and posted here to build a courtyard in front of Basilica di San Lorenzo (end of IV or beg. of V century DC).

This basilica is very large (the main room is 45 m) and had an enormous cupola. This cupola collapsed during an earthquake and was rebuilt in baroque style.

 

 

.

THE MAP BELOW
.......................................

-blue/black= Modern names
..brown =...... the earl city
-yellow = . antiquities (I - III Century DC)
-orange = monuments of imperial (from Maximinian, end of III C) and
......... ......christian period of St.Ambrose (IV Century DC).

-light blue=some rivers or water channels (before the wall was built)

THE WALL The area delimited by the walls was smaller than the real town, because many houses, streets, importants monuments and civic services (i.e. the wide amphitheatre and 1-mile long colonnade) were outside.
All around the wall, there was a ditch , supplied by an appropriate channel network. The Maximinian's wall was approx. 4,5 Km long, 11 m high, and equipped with a number of 24-sided towers and almost 8 monumental doors (see bottom).

1 THE CIRCUS The circus ( 470 x 85m, III C DC.) was on the West side.

2 THE IMPERIAL PALACE Close to the circus, the Imperial Palaces area, with many different buildings dedicated either to Emperor's private and pubblic life, or his court and the imperial burocracy. Like in other cities, there was a direct access from the Imperial palaces to the circus.

3 THE AMPHITHEATRE Outside the wall, on the South-West area, between two roads (towards Habiate and towards Ticinium one) there was a large amphitheater, built on the I century DC. Meanwhile at this time Milan was not at the top of its importance, this amphiteater was the third largest of the ancient world, after the Colosseum in Rome and the Capua one (the Milanese one was 155 x 125 meters).

4 THE BASILICAS The Christian area (The Bishop's area) arose just at N-West, but inside the city, very close to centre, approx on the same area of the actual Duomo. But around the city, at the times of Sant'Ambrogio, a number of basilicas was built, in particular 4 basilicas in corrispondence of the 4 cardinal points, in a sort of magic square to preserve the city either from the devil or from the physical ennemies.

5 THE MAUSOLEUM Outside the map and outside the wall ( because the tumulation inside the cities was prohibited by the roman law) there was the monumental Maximinian's Mausoleum. (West side)

6- 7 As in other main roman cities, there were also a theatre, and a forum.
8 Right now we found the place of legendary Thermae Erculee.
9 Outside the wall, towards Rome, there was a monumental street gifted on the both sides with a porch and colonnade. At the ending of this steet (1 mile long) there was an enormous 4-sided triumphal arch.
10-11 Close to Basilica di San Lorenzo (IV or V C) probably there was a port, some water channels and a river linking Milan with the Padum (the actual Po river)

THE CIRCUS

THE DUOMO AREA

Sant'AMBROGIO

This single roman column outside the basilica was used to proclame the Germanic Emperors "king of Romans" following an curious rite: the emperor embraced this column.

Galvano Fiamma (ab. 1300 DC) says:
Quando il re dei Romani vuole ricevere la corona del regno italiaco nella basilica Ambrosiana, l' Imperatore deve andare prima presso la colonna di marmo che sorge presso la basilica Ambrosiana stessa, e uno dei conti di Angera deve presentare all'Imperatore un messale. L'Imperatore giurerà che sarà obbediente al Papa e alla Chiesa Romana nelle cose temporali e spirituali ... (cut) ...
Quindi l'Arcivescovo o l'Abate di S.Ambrogio deve incoronarlo con la corona ferrea come Re d'Italia.
Cio' fatto l'Imperatore deve abbracciare quella colonna dritta di marmo per significare che la giustizia in lui sarà diritta...

 

 

The altair is covered by an precious

A bronze made snake (probably caming from some pagan temple).

<< torna all'home

the imperial palace

4 - THE AMPHITHEATRE

the early area
7
9
5
3
2
10
11
8
4
1

THE WALL AND THE DOORS


ABOUT THE ANCIENT DOORS

The doors on the Maximinan's wall were at list (in counterclock wise):
1 - Porta Ticinensis (South-West, towards Ticinium, now Pavia)
2 - Porta Romana (close to actual piazza Missori, towards Placentia and Rome)
3 - Porta
Argentia (close to actual piazza S.Babila, towards Bergamo, Aquileia and Eastern Countries)
4 - Porta Nova or "Erculea", so called in honour of Maximianus (North-East,
close to actual Porta Venezia)
5 - Porta Comacina (North, towards Comum and Lario lake, and passes across the Alps),
6 -
Porta Giovia (so called in honour of Diocletianus) and Vercellina, towards Novarium (Novara), close to actual Castello Sforzesco.
7 - Porta Vercellina (towards Novarium)

These doors are monumentals, equipped with towers, arcs, etc.

 

 

 

Remains of the bridge outside porta Argenta (towards Bergamo and Aquileia) over the water channel just outside the wall.


The dimension of this building were 155 x 125 m (major and minor axes). Also, 38.40 m high, the arena was 71 x 40.5m.

THE MAUSOLEO

Maximianus built also an mausoleum, for his own tumulation.

The stucture is the exactly the same of the mausoleum built in the Diocletian palace in Spalato. Around, an octogonal eclosure, and on the core, the sarcophagus (Made in Aegyptian marble, because his color is close to purpura one). This sarcophage, after some differents uses, now is the baptisthere of the Duomo of Milano.

THE MAIN PLACES AND MONUMENTS IN MILAN AT THE ROMAN IMPERIAL TIME
The bell tower of San Maurizio, former one of two monumental towers of the circus (now 16.6 m high)
The tower survived in white (see on the right)
THE CIRCUS
The sarcophagus in Aegiptian stone (= in purple color) prepared by Maximianus for his own tumulation, but used for other uses. Now this "velabrum" is just the baptistry of the Duomo di Milano.
Inside the duomo, an archaeological area with the remains of the baptistry where S.Augustinus was baptized dy Saint Ambrose (IV c dC)